English

Shapeshifting texts and other publishing tactics

How to maneuver

Hussein Nassereddine

Moad Musbahi

Rand Abdul Jabbar

Noopur Desai

antoine lefebvre editions

Jabbour Douaihy

Jaffat El Aqlam

Fehras Publishing Practices

Andrew Murphie

Federico Antonini

Jana Traboulsi

Faisal Al Hassan

 Giulia Crispiani

Nujoom Alghanem

Raafat Majzoub

Barakunan

Ali Eyal

Bady Dalloul

 Bernhard Cella

Haytham El-Wardany

Uns Kattan

Hammad Nasar

Ahmad Makia

Khalid Albudoor

Ali Yass

Elaine W. HO.

Farah Khelil

Ali Hussein Al-Adawy

Huda Smitshuijzen AbiFarès

Hala Bizri 

Yazan Ashqar

Children's Book

Biography or Memoir

Nonfiction

Fiction

Poetry

Graphic Novels, Comic Books, Illustrated Books, and Manga

Palestine

Lebanon

Egypt

Syria

Iraq

Morocco

Saudi Arabia

Tunisia

Algeria

Türkiye

Iran

Jordan

Sudan

Yemen

Libya

United Arab Emirates

Kuwait

Oman

Bahrain

Art and Art History

Environment, Health, and Science

Gastronomy

Architecture and Urbanism

Business and Finance

Journalism and Media Studies

Literary Theory and Criticism

Political, Cultural, and Social History

Religion and Spirituality

Feminism and Gender

Anthropology and Society

Music

Politics

Psychology

Philosophy

<p>Elaine W. HO works between the realms of time-based art, experimental publishing and urban practice, using multiple vocabularies to explore the micropolitics, subjectivities and alter-possibilities of an intimate, networked production. The act of describing takes on a number of forms—a kind of grammar, a documentation, a gesture, a biography—or an experiment in Beijing known as HomeShop. She is the initiator of the artist-run space, active from 2008-2013, and continues to ask questions about the sociopolitics of syntax, more recently via print, audio broadcast, and as co-conspirator with Display Distribute, a networked research platform investigating bottom-up organisation amidst global trade (2015-ongoing).</p><p>Her work—with several collaborative configurations under various denominations—has been previously presented on a boat named Eleonore, docked along the Danube River (Linz, 2016), Singapore Biennale (2019), Mediacity Biennale (Seoul, 2018), Hamburger Bahnhof Museum für Gegenwart (Berlin, 2017), the Power Station of Art (Shanghai, 2016), Guangdong Times Museum (Guangzhou, 2015), Spring Workshop (Hong Kong, 2015), Neue Nationalgalerie (Berlin, 2014), Tate Modern (London, 2014), and on various street corners, among other places. She likes to drink coffee and tea mixed together and is a frequent contributor at <a href="http://www.iwishicoulddescribeittoyoubetter.net/" rel="noopener noreferrer" target="_blank">www.iwishicoulddescribeittoyoubetter.net</a>.</p>

Books by Elaine W. HO.

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